Levon Chilingirian - Jury Chairman

Levon Chilingirian’s long association with Norway and its music was established when the Chilingirian Quartet was invited to give summer courses for the Norwegian Chamber Music Association for well over a decade. Many of the participating young musicians have now become established and highly respected members of the profession. Trondheim, through the inspirational leadership of Kåre Opdal, played a key role in this. Chilingirian is Professor of violin and chamber music at both the Royal Academy of Music and the Guildhall School of Music and Drama in London. His career began with winning the BBC Beethoven (1969) and the ARD Munich International (1971) Competitions with his duo partner, pianist Clifford Benson. In September 1971, the Chilingirian Quartet was formed and established a world-wide reputation for its much-praised interpretations of classical, romantic  and contemporary repertoire.  As the Quartet approaches its 50th anniversary, it still has two of its founding members, Mark Butler and Chilingirian. Chilingirian is also a soloist and ensemble director and has appeared with the Trondheim Soloists, the Bergen Philharmonic, the Camerata Nordica, the Gothenberg Symphony and many other British and European orchestras. He is honoured to be the Chairman of the Trondheim Quartet Competition since its establishment. 

Leonard Disselhorst

Disselhorst took his first cello lessons at the ageof seven. He completed early studies at the Hanover Conservatory’s Institute for Early Training of highly talented Musicians (IFF), studied with Prof. Martin Ostertag at the University of Music Karlsruhe and with Prof. Jens Peter Maintz at the UdK Berlin. Further studies with the vision string quartet with the Artemis Quartet and Günter Pichler complement his musical education. Leonard has been performing regularly both as a soloist and chamber musician in Germany and abroad and is a regular guest at numerous festivals such as the Mecklenburg Vorpommern Festival, the Lucerne Festival and the Rheingau Music Festival. He was a member of the National Youth Orchestra and has worked with conductors such as Sir Dennis R. Davies and Sir Simon Rattle. Radio recordings were made at SWR, NDR, rbb and Deutschlandradio Kultur. Leonard is a laureate of many prizes in the national competition "Jugend Musiziert", as well as prizewinner of the International Hindemith Competition, the Domenico Gabrielli Competition, several times at the Felix Mendelssohn Bartholdy University Competition in Berlin, as well as winner of the renowned Concours de Genève. 

Henninge Landaas

Henninge Landaas started playing the violin at the age of three at the Municipal Music School in Trondheim. She continued her musical education at Trøndelag Music Conservatory and the Norwegian Academy of Music, where she studied with Bjarne Fiskum and Magnus Eriksson. She graduated in 1996 with both violin and viola as her main instrument and was awarded top marks. Landaas was a member of the Trondheim Soloists from the beginning in 1987, both as a solo viola player and also as a soloist several times. She has been a soloist with the Oslo Philharmonic Orchestra and Trondheim Symphony Orchestra, among others, and she worked for many years as a solo viola player in the Norwegian Chamber Orchestra and the Oslo Philharmonic. From 1994 to 2011, she was a member of the Vertavo String Quartet. In 2014, she formed together with Sølve Sigerland and Ellen Flesjø Ssens Trio. Her extensive discography consists of recordings with both the Vertavo Quartet and Ssens Trio, a number of CDs with the Oslo Philharmonic Chamber group, and as a solist at Lawo Classics with Brahms sonatas with Tim Horton and the Hindemith solosonate op.25. Ssens Trio’s first CD, Beethoven op.3 and op.8, received the "Supersonic Award" from Pizzicato Magazine, and was nominated for the prestigious ICMA Awards in 2018.  

Øyvind Gimse

Gimse is an internationally renowned teacher who, alongside his position at the Institute of Music at the Norwegian University of Science and Technology (NTNU), has taught masterclasses in Sweden, Denmark, Poland, Spain and Brazil. Chamber music is close to Øyvinds’ heart, and he has performed at all of the major Norwegian chamber music festivals, where he has played with musicians such as Leif Ove Andsnes, Martin Fröst, Anthony Marwood and Bobby McFerrin. Over the course of his 15 years as Artistic Director for the Trondheim Soloists, Gimse developed the orchestra into a fully professional ensemble which is very active on the international music scene. Seven GRAMMY nominations and two Spellemann prizes are the crowning achievements of his six major recordings with the Trondheim Soloists. As musical director Øyvind has also conducted several of Norways’ professional symphony orchestras as well as orchestras in Spain, Lithuania and Vietnam. Øyvind was involved in the establishment of the Trondheim Chamber Music Festival and likewise the setting up of the national talent development programme “Young Musicians”. In recognition of his contribution to cultural life in Trondheim he was awarded the 2013 Trondheim Municipal Cultural Prize.

Geir Inge Lotsberg

Lotsberg began his professional career at a young age and has distinguished himself as one of Norway's most active chamber musicians. He studied with Leif Jørgensen (1927-1988) in Oslo from the age of ten for eight years, Sandor Vègh in Salzburg, Camilla Wicks in Houston and Ana Chumachenco in Munich. In 1991 he became one of the founding members of Oslo String Quartet. He is a widely experienced musician and has been a member of ensembles such as the Norwegian Chamber Orchestra and Camerata Academica Salzburg, and concertmaster of the Bergen Philharmonic and Norwegian National Opera orchestras. In addition to collaborations with other musicians including Håvard Gimse, Einar Steen-Nøkleberg, Vebjørn Anvik and Kåre Nordstoga, Lotsberg has performed as a soloist with the Oslo Philharmonic Orchestra, the Norwegian National Opera Orchestra, the Norwegian Radio Orchestra and Camerata Academica Salzburg. Lotsberg is much in demand as a teacher and orchestra leader, working regularly since 2005 with TrondheimSolistene and as a teacher at the Barratt Due Institute of Music in Oslo since 1994. From August 2017 he is appointed as Artistic Director of the TrondheimSolistene.

Marianna Shirinyan

Armenian-born Marianna Shirinyan has received Danish Broadcasting Corporation’s prestigious P2 award for her contribution to Danish music life and the critics prize of the association of Danish critics. She is a frequent guest at a string of international music festivals, among them the Schleswig-Holstein Music Festival, Bodensee Festival, the Schwetzinger Festspiele, MDR Summer Music Festival, Festspillene in Bergen. She has won the reputation of being one of this generations leading pianists through solo appearances orchestras as Danish National Symphony Orchestra, Oslo, Helsinki and Copenhagen Philharmonic Orchestras, Munich Symphony Orchestra, BBC Symphony Orchestra, Kammerakademie Potsdam to name a few. Shirinyan is a professor of piano at the Norwegian Academy of Music in Oslo, a Steinway artist and artistic director of the Oremandsgaard Chamber Music Festival in Denmark. From the summer 2020 also co-artistic director of the Valdres Sommersymfoni in Norway. Her recordings has been received enthusiastically by international reviewers and listeners alike. Her latest release, the Fantasy for Piano and Orchestra by Louis Glass, which she has recorded together with the Rheinische Philharmonie Koblenz under the baton of maestro Daniel Raiskin has been awarded the P2 prize of the Danish radio in 2018. 

Frederik Øland

Violinist Frederik Øland was educated by Serguei Azizian at The Royal Danish Music Academy in Copenhagen and Ulf Wallin at Hochschule für Musik Hanns Eisler in Berlin. In 2009, at the age of 23, he won the position as concert master at Copenhagen Philharmonic Orchestra, and was employed as a teacher of violin and chamber music at The Royal Danish Academy of Music. Frederik Øland has been awarded various Danish prizes such as grants from Jacob Gade Foundation, Victor Borge Foundation and Léonie Sonning Foundation. He is violinist for the award-winning Danish String Quartet, most recently elected as Ensemble of the Year 2020 by Musical America. The quartet tours all over the world and in 2020 completed a concert cycle with all Beethoven's string quartets in Lincoln Center, New York. Their CD series ‘Prism’ was nominated for a Grammy Award in 2019. In 2017, Frederik Øland resigned his position at Copenhagen Phil to focus on working in the Danish String Quartet. However, he continues to assist in several of the Danish orchestras when time allows. The Danish String Quartet is the organizers of both the DSQ Festival and the concert series ‘Series of Four’, both in administrative roles and as artistic directors. 

Photo credits: Levon Chilingirian: Garo Berberian, Øyvind Gimse: Sven Erik Knoff, Geir Inge Lotsberg and Marianna Shirinyan: Nikolaj Lund, Henninge Landaas: Rune Bendiksen, Frederik Øland: C. Bittencourt

RESULTS 11TH TICC 2021 - STRING QUARTETS

1st Prize – The Torstein Erbo Prize € 15 000
Engagement at the following festivals 2022/ 2023/ 2024:
Arctic Chamber Music Festival (NO)
Risør kammermusikkfest (NO)
String Quartet Biennale Amsterdam (NE)
Oslo Quartet Series (NO)
The Audience Prize - Engagement at Trondheim Chamber Music Festival 2022
The Commission Prize € 500
Idagio NextGen Award https://app.idagio.com/live 
- Quatuor Confluence (FR)

2nd Prize, KHL Prize € 10 000
Jury Special Prize: Masterclass at JMD Schloss Weikersheim (DE)
- NOVO Quartet (DK/PL)

3rd Prize, The Trondheim City "Kåre Opdal" Prize € 5 000
Jury Special Prize: Masterclass at JMD Schloss Weikersheim (DE)
- Animato Quartet (NO/NE)

Click here to read the article published after the Finals 25 September.

Download the competition rules here (PDF).

1. 11th Trondheim International Chamber Music Competition is open to string quartets. 
2. Applications will be accepted from musicians of all nationalities provided the combined maximum age of the quartet members as of 21st September 2021 does not exceed 120 years. The age limit for each musician of the quartet must be under 35 and over 16 years on 21st September 2021. 
3. Musicians may only enter the competition as a member of one ensemble. 
4. Musicians are responsible for all travel expenses. The competition will offer lodging in 2-bed room, as well as breakfast and one hot meal a day. 
5. The application must be sent no later than the day of the deadline; 20 April 2021. 
6. The following documents must be attached the application: 

   a.       A copy of birth certificate or similar official document confirming the date and place of birth of each candidate. 
   b.       Curriculum vitae with particulars of training, awards and diplomas and recent concert appearances of the quartet. 
   c.       Two recent professional references. 
   d.       Two recent digital high-resolution photographs of the quartet. 
   e.       Two recent audio recordings of high quality (WAV, AIFF, FLAC or M4a (Alac), minimum Bitrate 164kbps), of the quartet. The recording should be recorded in one "take" and must not be edited or altered in any way. TICC reserves the right to disqualify applicants entering studio enhanced or modified tapes. Applicants are anonymous to the jury when considered for TICC. 
   f.        Recording one: Choose one movement from this list: 1st movement from Mozart K387, K421, K458, K428, K464, K465, K499, K575, K589 or K590.  
   g.       Recording two: One movement of any Bartók, Berg, Britten, Debussy, Janácek, Ravel or Shostakovich quartet. 
   h.       A letter from a teacher or professional musician certifying the authenticity of the recording. 

7. There will be a non-refundable entry fee of EUR 160 per quartet which should not be sent until the application has been accepted. 
8. The competition is divided into three stages – two eliminating stages and a final stage. All stages will be open to the public.  
9. Each quartet will be required to prepare six works, as indicated in the repertoire list. 
10. Depending on the number of ensembles, the duration of the first round might be cut to thirty minutes per ensemble. The jury will announce their selected program 24 hours in advance. 
11. The order of playing will be decided by ballot. A new ballot will be held for each new stage of the competition. 
12. Trondheim International Chamber Music Competition is entitled to broadcast the concerts, in any medium, in whole or in part, live or by recording, in sound and/or in images. No payment will be made to contestants for the recording or broadcasting of competition performances. 
13. Rehearsal facilities, including the provision of music stands, will be available to all ensembles in Trondheim accepted to the Competition. TICC does not warrant, however, that such facilities will be adequate or meet the requirements of ensembles. 
14. The competition reserves the right not to award 1st prize if the jury cannot find a candidate. 
15. Winners of the 1st Prize and the Audience Prize must agree to perform a certain number of concerts in 2022, arranged for them by Trondheim Chamber Music Competition and Trondheim Chamber Music Festival. 
16. The official language of TICC is English. 

For application repertoire, see Rules, paragraph 6 e.

Apply here!